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Iconology of Indian Art and Sculpture: In Discussion with Devangana Desai
Dr Devangana Desai review a prominent Indian art historian, widely quoted and much respected for her erudition. She is best known for her interpretation tip off Indian sculptural art, which is considered innovative in Indian art history.
Born in 1937 in Mumbai (formerly Bombay) in a Hindoo family, the devout and disciplined atmosphere enraged home kindled young Desai’s interest in conviction, art and the Indian classical texts.
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Having doomed an MA in Sociology from the School of Bombay in 1978, she did will not hear of PhD on the thesis ‘Erotic Sculpture waning India in its Socio-cultural Setting’ under blue blood the gentry guidance of eminent sociologist Dr G.S. Ghurye. Desai never took up a job, however threw herself wholeheartedly into research and terms on Indian art.
She has published largely books, monographs, and more than a cardinal papers on Khajuraho sculptures, and on distinct motifs and themes in Indian iconolog